Minority report where is sean
However, I do believe that Sean was kidnapped and probably murdered. I hope I was able to add a little insight! Tr3yoAces Answer has 6 votes. Nothing wrong with a little philosophy every know and then. We know that The precog was describing to John an alternate reality of how Sean would have grown up had he not been kidnapped and most likely murdered. I think that Leo Crow's description of Sean's demise is the author's way of telling the audience that Sean was killed by his kidnapper.
Even though it wasn't Leo Crow who committed the murder he took the bribe to take care of his family. I feel like the mystery of what happened to Sean is what drives the theme of the movie, the infinite nature of making decisions makes it impossible to truly predict the future and what will truly happen. Making precrime impossible.
The answer is not-at-all obvious, but it is there in the text. Lamar Burgess either killed Sean or had him killed by one of his operatives.
In a speech he gives to John Anderton, he explains that "no one would listen to a man of my generation," but that they would listen to John, as his motivation "comes from pain and not politics. This same bait-and-switch was performed on Anne Lively, setting up a neuroin addict for the crime while he commits the murder and secures his investment in the pre-cognitives by eliminating their mother.
This is also proven by the fact that "evidence" was manufactured and given to Leo Crow. By whom? Who would be knowledgeable and have enough resources to create photo forgeries of John's son, en masse, making the "orgy of evidence" found by Danny? Get a new mixed Fun Trivia quiz each day in your email. It's a fun way to start your day! There are three different types of hair found on the human body. What are they? Dick constantly draw attention to notions of observers and the observed.
The Washington, D. Sometimes it's to sell your crap as scanners read your eyeballs note that Spielberg chose to base identification around eyes—our instrument of vision—rather than faces and sometimes it's the government to track your every movement like when John boards a train.
John is a drug addict, and his drug is supposed to provide "clarity" even though he just gets high and hides in the past of happier times with his lost son. When Agatha grabs John for the first time to show him a particular vision, she asks him, "Can you see?
It's a world with a filthy underbelly where the surveillance state hasn't solved poverty or improved people's lives. Rather than a pleasant dystopia, Spielberg and cinematographer Janusz Kaminski shoot almost the entire movie in greys and blinding lights, a world where nothing is clearer, just more sterile until you need a crime like getting your eyeballs replaced. But even in the scene where the cops send "spiders" around to scan everyone's eyes, it's all a matter of what we don't see.
The cops are looking for John, but they miss all the human tragedy around them whether it's the scared family or the bickering couple or the dilapidated surroundings.
As is often the case with Minority Report , just because something has your focus, that doesn't mean you've seen the whole picture. That's the trap I fell into. I was so focused on Spielberg's narrative tendencies that I missed understanding the film holistically.
Instead, I viewed it structurally, and the structure seemed to hinge more on the inevitably of fate even though, as I saw on this recent viewing, fate is upended multiple times. He still runs. Across the university and in the stadium, where John watches. Oh God, he's running so fast, just like his daddy. He sees his daddy. He wants to run to him.
But he's only six years old, and he can't do it. And the other men are so fast. There was so much love in this house. John Anderton : [sobbing] I want him back so bad. Agatha : So did she. Can't you see? She just wanted her little girl back. But it was too late. Her little girl was already gone. John Anderton : She's still alive. Agatha : She didn't die, but she's not alive. John Anderton : Agatha, just tell me, who killed your mother?
Who killed Anne Lively? Agatha : [whispering] I'm sorry John, but you're gonna have to run again. To pull off Anne Lively's murder, Lamar used a phenomenon called an "echo," where the precogs experience replays of past visions. He told Anne to come and meet him at a lake, and paid a drug-addicted drifter to try and drown her. After watching the vision of her death, Lamar knew all the details of how the original murder would have played out.
He then waited by the lake for the drifter to be arrested by Precrime and, after they had left, murdered Anne Lively himself in the exact same way. The precogs sent a vision of that murder as well, but it was dismissed as merely an echo and deleted. Dick's original story: he can either commit a murder and doom himself, but save Precrime in the progress; or he can choose not to commit the predicted murder, thereby exposing a fatal flaw in Precrime and destroying his own creation.
With the murder already predicted and Precrime officers closing in, Lamar chooses to shoot himself in the chest. Earlier in the film he told Witwer, " I don't want John Anderton hurt " - and despite all his lies, it seems that this statement was completely honest.
Realizing he has a choice, Lamar decides to take his own life rather than kill John, because he cannot bear to witness his legacy being dismantled. Had Lamar chosen to shoot John, he would have been arrested for the murder along with the murder of Anne Lively , but he also would have proven that Precrime works. Leo Crow's supposed murder was spun as a "human flaw" in Precrime, due to officers failing to reach the scene in time, and John Anderton's death would have been treated the same way.
Precrime could still have gone national, and Lamar's legacy would have been preserved. In choosing not to shoot John, Lamar proves very publicly what John had already discovered earlier in the movie: that a person who knows their future is able to change it, and therefore the precogs' visions are not certain. This leads to Precrime being disbanded and the precogs being released.
Like many other stories about time travel and futuristic visions, Minority Report asks the question of whether the future - once known - can be changed. Terminator: Dark Fate answered this same question by suggesting that certain things are inevitable and will happen despite efforts to avert them; after Sarah Connor prevented the rise of Skynet, another computer system called Legion took its place and led to a similar downfall of humanity.
When Leo Crow dies in almost the exact same way that the vision predicted, despite John choosing not to kill him, it seems that Minority Report might be drawing a similar conclusion. Danny Witwer criticizes Precrime at the start of Minority Report , asking how they can be certain that a murder would definitely have happened.
0コメント